Monday, July 28, 2008

NEW DISCOVERY: Swivel Chairs


Sounds like: Pinback, Sebadoh, a masculine Camera Obscura, Later SonicYouth, Elliot Smith & 238

Rating:
5/5

Review by Amazon - The Slow Transmission is the first fruit of a two year creative burst that saw the musical partners write and record nearly 40 songs. The album is packed with a memorable collection of songs that range stylistically from retro guitar-pop to alt-country, new wave and folk-rock. The album's cohesion comes from the sharply crafted hooks that stick with the listener long after the album is done and the genuine emotions that come out in their lyrics. Album opener "Here Out Of Reach" takes a simple repeating guitar figure and builds on it with acoustic guitars, cello and vocal harmonies to tell a tale of disappointment and rejection. The propulsive drums and guitar of "Afterthought" combine with Jason Brown's declamatory lead vocals and Jeremy's harmony-heavy backing vocals on the chorus to convey the frustration of being taken for granted by the one you love. Whether it’s the elegiac "December Ghosts," the country-folk "Calloused Hands" or the layered guitar intricacy of the instrumental "Clockwise," the album keeps delivering from beginning to end.

Review by Stewart Mason - The second full-length by the Swivel Chairs is power pop the way it used to be a musical generation or so ago: say, between the release of the dB's' Stands for Decibels in 1981 and Cotton Mather's Kontiki in 1997. Unlike many contemporary power pop acts, songwriters Jason Brown and Jeremy Grites have little interest in slavish devotion to trying to replicate the sound of their musical idols. Those songs that do recall earlier acts (the dreamy "All at Once" has a strong Let's Active vibe, not least because Grites' breathy tenor at times sounds shockingly like Mitch Easter's) seem to do so either by accident or by virtue of shared musical antecedents: the Swivel Chairs have no evident interest in being the Rutles. The overall vibe of the album is low-key verging on mellow, but the songs' carefully detailed arrangements, clever hooks, strong melodies, and varied emotional moods, along with neat changeups like the spacy two-minute instrumental "Clockwise," keep The Slow Transmission from sounding like one deadened midtempo shuffle after another. Instead, this is a mature, intelligent pop record that's both a clear step up from the Swivel Chairs' earlier albums and proof that there's life in the pop underground yet.

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